歡迎「Hivestack 」加入協會!
Hivestack於2021年1月進入北亞區市場,北亞區總部位於香港。 Hivestack以數據驅動為導向,基於受眾行為、受眾行銷定向等方式助力廣告主實現以程序化購買數位戶外廣告(Programmatic Digital Out Of Home,簡稱pDOOH) 的精準投放,並為需求方和供應方提供技術支持,是一家全球領先的戶外數位廣告程序化購買全端技術公司。
#DMA會員公司
#Hivestack
同時也有1部Youtube影片,追蹤數超過2,250的網紅Benjamin Man — iBenTV,也在其Youtube影片中提到,[3/3] This piece took around 10-11 months to compose, thANKFULLY I GOT FULL MARKS SO HARD WORK PAID OFF!!! I was lucky enough to be able to work with ...
programmatic 在 數位時代 Facebook 的最讚貼文
數位廣告的趨勢是什麼?品牌建設該如何搭上此趨勢?
果實夥伴(OneAD)致力於透過科技成就品牌建設,其中 #PMP 即是程序化購買方案中達成品牌建設的最佳解方,將優選的充沛流量、創新的廣告格式、有獨特價值的受眾數據優先提供給選擇性買主,OneAD更計畫在年底前推出SuperDSP平台,提供更好的服務 >>
programmatic 在 數位時代 Facebook 的最佳貼文
【最後席次‧立即報名】🔥
5/13(四) 終止你的投放慣性,迎接新一代數位行銷技術!
PROGRAMMATIC WORKSHOP,帶你一次掌握數位行銷三大趨勢:cookieless、技術操作及Connected TV,突破品牌策略新體驗!
時間:5/13(四) 場次一13:30-14:30 / 場次二 14:45-15:45
地點:台北圓山花博爭豔館 未來商務展 Innovation Space A
👉*免費活動審核制,每場限量15席*
programmatic 在 Benjamin Man — iBenTV Youtube 的最佳解答
[3/3] This piece took around 10-11 months to compose, thANKFULLY I GOT FULL MARKS SO HARD WORK PAID OFF!!! I was lucky enough to be able to work with an actual orchestra on this piece, and even got feedback from composer Dani Howard as well as conductor Pablo Urbina!
Themes:
A: "Awakening in The Unknown" - 0:01
B: "Survival" - 0:58
C: "Defeat" - 1:21
D: "Mischief" - 1:54
E: "Confliction" - 2:17
F: "Reconciliation" - 3:37
G: "Finalé" - 4:14
(btw, my second composition was 'Ascending Heaven' so I'm not going to upload that lmao)
Reflective Statement:
My intention for this piece was to compose a programmatic orchestral work inspired by the anime “灰と幻想のグリムガル”. Each section corresponds to a key theme presented in the anime. A performers note was included in the score so that performers will have a better understanding of the context of each theme.
Composing this piece took 10 months from start to finish. I started this composition as a piano quartet with the cello carrying the main melody. Each section was composed individually to match a particular theme, and was then pieced together by composing a transition section between them. With my teachers guidance, I was advised to expand the piece into a full orchestral composition, which was an immense difficulty for me as I’ve never composed one before. I overcame this difficulty by studying each instrument; how it’s played (or can be played), what techniques can be performed, and listening to other orchestral pieces to identify its role in the orchestra. I further developed the piece by experimenting with contrasting dynamics to add excitement in certain sections of the piece. Lastly, I leant and applied engraving rules to my score to appear professional.
This piece allowed me to grow as a composer in different ways. For example, because I had the opportunity to work with an actual orchestra, I became aware of how certain notes and phrases are played (e.g. bowing for strings at fortissimo), and how each instrument compliments another. I also learnt to avoid composing melodic “fluff”, to make sure that every note has its own purpose and contribution to the aim of the piece.
Overall, I am extremely proud of this piece and am very excited to hear it performed at my school’s spring concert in March!
(298 Words)
(IF ANYONE WANTS TO PERFORM THIS (IDK WHY BUT IF LMAO) AND WANT THE SCORE, MESSAGE ME!)
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